Stage Plays

The verdict

Thanks to everyone who came to see BOLDtext Playwrights’ 20th REP show, The Sentence, last week – our first all-female endeavour.  Our two talented actors, Bharti Patel and Miriam Edwards, admirably directed by Vicki Duckett, did a fantastic job of staging our work and bringing it to life.  I will certainly be extending my disgraced surgeon play, Paying the Price, which was inspired by a well-known scandal in the Solihull area, as many will realise.  It is a story that I feel really must be told.

Jackie Hodgson and Keith Stokeld

We had a great discussion afterwards on sentencing, with our panel – criminologist and academic Professor Jackie Hodgson and probation officer Keith Stokeld, as well as myself and fellow writers, Vanessa Oakes and Julia Wright.  Weekend prison, domestic violence sentencing and the privatisation of the probation service were debated – and the discussions continued into the bar as always.  Great night all round!


Sentencing for the Future

BOLDtext Playwrights are delighted to announce the panel for their audience discussion, ‘Sentencing for the Future’, which follows their latest show, The Sentence, three brand new short plays at Birmingham REP on Monday 28 January 8pm.

The post-show discussion panel will be chaired by Professor Jackie Hodgson from Warwick University’s School of Law.  Jackie has organised a range of public engagement events around prisoner well-being and women in prison, and her research has focused on comparative criminal justice in the UK and Europe.

Jackie will be joined by Gregor Forde, community activist, advocate for the alienated and disadvantaged, with lived experience of the criminal justice system.  Former probation officer Tania Bassett is our third panel member – she is the Midlands link official for NAPO, the Trade Union & Professional Association for Probation and Family Court Staff. Tania works closely with the MOJ to develop training and professional standards.


Paying the Price by Liz John
A disgraced surgeon awaits sentencing, when a young solicitor arrives with unexpected news.

Offences Against the Person by Vanessa Oakes
Why do sentences sometime bemuse and enrage the public?

Working Mother by Julia Wright
Karen will soon be leaving prison. Has she learned her lesson? Sophie tries to help her but is it working?

The evening is a ‘pay what you can on the night’ show, so tickets are free to book HERE, or by calling The REP box office on 0121 236 4455.  Our script-in-hand new writing nights often sell out, so it’s best to reserve tickets in advance.

The Sentence is part of The REP’s ‘Open Door’ season, directed by Vicki Duckett and curated by Vanessa Oakes & Julia Wright.  The performance will be followed by the panel discussion, ‘Sentencing for the Future’ – after which we can retire to the bar to continue the conversation.

Paying the Price

On Monday 28 January 8pm in The Door at Birmingham Rep, BBC Doctors’ Bharti Patel and Miriam Edwards are starring in three brand new, short plays by BOLDtexters Vanessa Oakes, Julia Wright and myself.

‘Paying the Price’ by Liz John
A disgraced surgeon awaits sentencing, when a young solicitor arrives with unexpected news.

‘Offences Against the Person’ by Vanessa Oakes
Why do sentences sometimes bemuse and enrage the public?

‘Working Mother’ by Julia Wright
Karen will soon be leaving prison. Has she learned her lesson? Sophie tries to help her but is it working?

As usual, our talented actors and director are drawn from the Midlands.

The show will be followed by a discussion with the writers and an expert panel about the effects of our criminal justice system.

Tickets are FREE but they are going fast.  ‘The Sentence’ is a pay what you can on the night performance.

BOOK HERE or phone The REP box office on 0121 236 4455.

Great show, now what?

BOLDtext Playwrights’ most recent show, Behind Bars – Ghosts of the Lock Up, went down a storm in Birmingham city centre last month – with sell-out audiences who loved the humorous and heart-wrenching tales we told, as well as the more everyday stories embedded in the WM Police former Lock Up building.  It felt like our contrasting voices each captured something different in the space, with wonderful performances to bring them to life.  Emotionally transporting”,  “Excellent pacing and characterisation – evocative in this venue”, and “Really unique experience” were just some of the comments from our many visitors. 

And it was a unique experience for us too – we absolutely loved this site-specific work and hope to do more of the same – both at the Lock Up and elsewhere around the region.  We just need to decide where – so anyone with any suggestions, please do get in touch.

In the meantime, BOLDtext is working on another night of political shorts at Birmingham Rep on Monday 28 January 2019, so watch this space.

You can catch up with my latest The Archers episodes which are in studio shortly, then go out on Radio 4 the week before Christmas.  Can’t wait!

Charles Muscroft, police photographer

Getting site-specific

There’s nothing like a ghostly Victorian building, echoing with strange tales and past voices, combined with the rampant enthusiasm of fellow BOLDtext writers, to give you Writer’s Block.  Where to start?  The Lock Up practically oozes Brummie history – countless possibilities of character, story, theme, era (it only closed two years ago!) – plus there’s the added question of setting.  Which corner of this fascinating Victorian building should I focus on? Whose experience in this place can I depict?  We really want to feel the Lock Up burst into life.

Birmingham Lock Up

Birmingham Lock Up

Lucky for me this wasn’t my first time in the Lock Up on Steelhouse Lane.  Before you ask, no I wasn’t there as an inmate!  In fact I attended a wonderful presentation by the Ikon Gallery relaying research conducted by the late Pete James, Birmingham’s foremost photographic historian.  The talk was about the history and role of photography in our region’s policing – from mugshots to surveillance. Turns out we practically invented mugshots in Birmingham. Who knew?  So when I stood again in this eerie building, tasked with creating a very short but meaningful piece of theatre that could mesh with other writers’ stories, my mind flew back to that lecture.  A police photographer could be my focus, someone who was a vital part of the fabric, actively participating in an offender’s journey through the Lock Up.  And that’s when Detective Charles Muscroft, ARPS, stepped into the light.

Man on a Mission

Down-to-earth Yorkshireman Charles Muscroft (top) was a CID officer turned police photographer, based at the Lock Up from the 1920s.  He embraced his role with dedication and delight, producing hundreds of perfectly crafted ‘mugshots’ over his career.  He regularly gave lectures to local photographic societies and even offered his ‘portrait services’ to the general public!  When he was awarded Associateship of the Royal Photographic Society in the 1930s, he was overjoyed – despite his exemplary record as a Birmingham City Police Officer, he viewed RPS recognition of his professional photographic talents as the ultimate accolade.  As a playwright, I was fascinated by the quiet intensity with which Muscroft undertook his work, and his unshakeable love of his ‘art’ even when he was having to photograph dangerous offenders and gruesome crime scenes.

Behind Bars, Ghosts of the Lock Up from BOLDtext Playwrights runs 19-21 October at the Lock Up on Steelhouse Lane, Birmingham. More info at BOLDtext Playwrights.

behind-bars-ghosts-of-the-lock-up-leaflet-frontBook your tickets at:

Supported by Arts Council England and the Sir Barry Jackson Trust.

If you’re interested in Mugshots and their history, take a look at Under Arrest by Giacomo Papi – a collection of mugshots of celebs like Hugh Grant, Al Pacino, Ozzy Osbourne and Janis Joplin; prominent figures like Martin Luther King, Bill Gates and Fidel Castro; as well as notorious names like Joseph Stalin, Saddam Hussein, Ronnie Biggs and Lee Harvey Oswald.

‘Fake Times’ BOLDtext @ The REP

FAKE TIMES image Final

Your news is fake. Mine is REAL. Your truth, your reality, your version of the world is wrong. Because mine is RIGHT. Isn’t it…?     

On September 19th, BOLDtext return for another season of Open Door at the Birmingham Rep with Fake Times – four short plays that ponder how to get real and counter today’s culture of lies.

The Offer by Liz John – Chris desperately needs a new start, but is this an offer he can accept?   (more…)

Post World War 3

Now the hard work begins!  Following a wonderful showcase, with excellent and thoughtful direction by Caroline Frewin and fab performances from Lily Eliza, Oli Leonard, Phoebe Cresswell and Dru Stephenson – all of whom also generously fed back to me during several workshops – I’ve been developing the play further.  Thanks to everyone who attended the showcase, particularly the students from BOA who also gave me invaluable feedback from a young audience point of view.

I’m really excited about the piece, and I’ll keep you posted on its progress. Watch this space!  Read our showcase blog at

Green fist

World War 3 – 22 May 2017 – free at The Rep

On Monday 22nd May 2017 at 8pm, BOLDtext Playwrights present another in their Doubled Up series, showcasing extracts of major new work from myself and Julia Wright at Birmingham Rep.  After that, you can catch up with my work by tuning into BBC Radio 4’s The Archers.

A5 Front DOUBLED UP 0417 Ultimate Zoe is fighting for the planet.  James yearns for a career.  Kat needs her sister to be ok.   Ella just wants it all.   But no-one is listening – so now it’s time to make a stand.  Can the fiery enthusiasm of youth overcome the cynical politics of today’s Britain?   A challenging, acerbic tale of conflicting ambition in the 21st Century.

Liz’s work ‘shone out as a masterpiece of compression’ – LichfieldLive  (about ‘Perversion of Science’) 

Come along and catch extracts of these two plays-in-progress at 8pm on Monday 22nd May as part of The REP’s Open Door season.  Tickets are FREE to book but it’s best to reserve in advance.  We ask you to pay-what-you-can on the night (we’ll rattle a bucket on the way out).

Rep Box Office   0121 236 4455   Mon-Sat  10-7pm

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